Go direct, sound great!
The MXR M-80 Bass Direct Box with Distortion is more than just a direct box. It’s got so many features, you may wonder how you ever did without it! It includes a distortion channel with gain, volume, and blend controls; a noise gate to help keep it clean; a Color control; and 3-band EQ control that lets you dial in any tone you need. It also provides phantom power, and sports a parallel output jack for flexibility in routing. Whether you like it sweet and clean or hot and nasty, this DI does it all!
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Creates spocey phase-shift sounds that range from subtle to head-spinning.
The MXR M-107 Phase 100 guitar effects pedal contains 10 stages of programmable phase shifting plus adjustable intensity for sweep width and notch depth. Controls also provide for regeneration in 2nd and 4th position.
Start a whole new phase in your playing…get the M-107 now!
MP3 Sound Bytes for MXR M-107 Phase 100 Effects Pedal
Wave type 1 Medium
Wave type 2 Fast
Wave type 3 Slow
Wave type 4 Slow
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Fatten up your tone and strrrrretch your sustain.
The MXR M-132 M-132 Super Comp Compressor Pedal is an improved version of the legendary Dyna Comp. This is the guitar effects pedal that’s the ultimate source for the “Nashville sound.” Attack level control preserves initial volume without sacrificing sweet sustain. Sensitivity control lets you dial in just the right amount of compression. The Super Comp effects pedal has a super-tough housing with bypass footswitch and LED.
This thing could close the gap between what you’re hearing from your amp and what you’re hearing on your favorite CDs. Put it in the cart.
MP3 Sound Bytes for MXR M-132 Super Comp Compressor Pedal
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Use it with extreme caution!
The MXR KFK-1 Kerry King Ten Band Equalizer was designed in conjunction with the legendary Slayer guitarist. This beastly, tattoo-covered pedal has all the functions of the M-108 times 2 with its dual outputs. The KFK-1 will help you shape thrash-approved, scooped-mid rhythm tones plus create raging sustain and feedback. It’ll help you wring more thunderous low-end out of your rig than you ever thought possible. Use it with caution. And don’t say we didn’t warn you!
Blow ‘em away with this king-of-the-hill sound shaper. Order today!
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Proudly analog in a digital world.
The Maxon AD999 is the most ambitious and practical analog delay pedal to come along in a very long time. A few years back the hopes of analog lovers the world over were dashed when Panasonic closed their BBD production line for good. Rather than giving in to the digital wave, Maxon took the opposite approach and had BBDs manufactured exclusively for them!
Each AD999 comes loaded with eight Maxon MN3107D BBDs for a total of 900ms of pure, rich, organic analog delay. Standard Delay Time, Delay Level, and Feedback controls combine with wet/dry outputs for a variety of sounds and signal routing options. Switching is handled by a 4PDT mechanical switch for transparent, noise-free operation in bypass and the unit runs off 9V DC for easier integration into players’ pedalboards. When you’re ready for the ultimate analog experience, the Maxon AD999 is the only serious choice in an otherwise digital world!
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From funky to extreme, this pedal does it all!
For adding character to your bass tones, check out the MXR Bass Auto Q. It’ll instantly funkify your riffs with authentic Crybaby wah and add a lush shimmer to sustained notes and chords. Turn the simplest rhythm and lead lines into complex textural effects, and take your music into uncharted territory. 5 knobs give you infinite control of the Bass Auto Q: Range controls the frequency floor of the effect; Q modulates the intensity of the wah by adjusting the bandwidth of the filter from a broad, subtle curve to a bright, sharp peak; Blend controls the mix between the wah and shimmer effects; Decay controls the transition between wah and shimmer; Rate controls the speed of the shimmer, from tremble to shriek; and Volume controls the overall effect volume. A rugged footswitch lets you bypass or engage the effect, and graphics glow in the dark to make this pedal easy-to-read on an dark stage. Housed in a virtually indestructible zinc box and powered by a single 9V battery or optional Dunlop ECB-003 AC Adapter.
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This unassuming little box shovels out enough low frequencies to scare a blue whale.
The MXR Blue Box takes your guitar signal, fuzzes it up, then duplicates it two octaves down. You control the output and the mix between the dry signal and the effect. Using it 100% wet is quite an experience, but more recognizable sounds appear as you dial in more dry signal. The Blue Box is known for having a chaotic personality that can make each session a totally unique experience!
Here are just some of the people who are using this box: John 5 - Rob Zombie, Mick Thompson - Slipknot, Munky - Korn, Jimmy Page, Tim Skold - Marilyn Manson, Jay Baumgardner - Producer Zakk Wylde, Geordie White - A Perfect Circle
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Amps, effects, recording a total creativity machine!
The Digitech GNX4 Guitar Workstation features a built-in MIDI drum machine that rivals standalone units and includes a vast library of high-quality kits and patterns. It also lets you use your own MIDI files, and the GNX4 can also playback MP3s, download lessons from guitar magazines, and has 8-track digital recording that can be operated with foot controls. It records to a CompactFlash card (not included) for later transfer to computer via a USB connection.
Pro Tracks Plus software for PC or Bias Deck 3.5SE software for Mac are included. These allow you to stream 4 channels of 24-bit audio to the computer while simultaneously listening to 2 channels of playback with zero latency. For the finishing touch, process your work through world-class Lexicon reverbs courtesy of the Pantheon reverb plug-in. With 35 factory presets, 6 reverb types, and a simple yet powerful user interface, Pantheon is an indispensable tool for your recording work.
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