The MXR KFK-1 Kerry King Ten Band Equalizer was designed in conjunction with the legendary Slayer guitarist. This beastly, tattoo-covered pedal has all the functions of the M-108 times 2 with its dual outputs. The KFK-1 will help you shape thrash-approved, scooped-mid rhythm tones plus create raging sustain and feedback. It’ll help you wring more thunderous low-end out of your rig than you ever thought possible. Use it with caution. And don’t say we didn’t warn you!

Blow ‘em away with this king-of-the-hill sound shaper. Order today!

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Completely reshape your sound or boost a wicked alternate lead tone that will jump out of the mix at will. Turn a problem signal into something that absolutely glows and helps you discover your own signature sound. The MXR EQ offers six bands covering all the essential guitar and bass frequencies, with each slider ready to deliver 18 dB’s of cut or boost. Ideal for creating scooped mids or massive lows you never thought you could produce. It will also add natural-sounding warmth to a quacky acoustic pickup and instantly eliminate onstage feedback or boost your overall signal when using a massive chain of floor effects. Redesigns include a rugged bypass switch and “positive feel” illuminated sliders.

Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter

Controls: Footswitch toggles Effect On/Bypass Six paragraphic slider controls enable boost or attenuation up to plus or minus 18db at frequency centers 100Hz, 200Hz, 400Hz, 800Hz, 1.6kHz and 3.2kHz

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The MXR M-108 Ten Band Graphic EQ provides extreme control over the 10 most crucial frequencies for guitar. Also, with its separate input gain and output volume sliders, it provides a nearly ridiculous amount of level control. Any sound you want, from thundering crunch to searingly sharp clarity is easy to dial in. Includes power supply.

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Covering six carefully selected frequency bands from 100Hz to 3.2kHz and offering +/-12dB of cut or boost, the GE601 can be used as a tone filter, feedback eliminator, pickup simulator, or level booster. Its wide frequency range makes it suitable for use with a variety of instruments.

Order today and start trimming your tone to perfection.

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The Danelectro DJ14 Fish and Chips EQ Pedal has 7-band graphic equalization for stage or studio use. It is noise-free and includes 7 level controls for overall boost or cut of +/- 15. An in/out knob gives you intant EQ control.

On-the-fly equalization is just a click away.

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The Boss GE-7 Equalizer is an exceptionally quiet EQ with silent FET switching. 7 bands of EQ in the optimum range for guitar. Provides 15dB of either cut or boost in each selected range.

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MP3 Sound Bytes for Boss GE-7 Equalizer Pedal

1. Mid Cut Clean
2. Bottom Boost
3. Add some Fat

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Using the Dunlop Heil Talk Box you too can re-create the sounds popularized by Peter Frampton, Joe Walsh, Slash, Alice in Chains, Aerosmith, and others. Easy to use. Can be set up with a guitar amp, but requires a separate mic and mic amp.

Put your vocals on another plane- order the Talk Box today!

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The Rocktron Banshee Talk Box brings a new twist to an outdated generation of complicated and risky talk boxes. Banshee is unique because it contains its own internal preamp, amplifier, and horn driver. You simply plug into your pedalboard and run the provided tubing up the mic stand and into your mouth. There’s no risk of blowing up your favorite amp head (a possibility with talk boxes of yore). The rest is up to your own imagination as you generate incredible talking tones. A wide range of clean and dirty preamp tones may be dialed in with plenty of saturation for those who desire lots of gain. Not only does the Banshee scream in the talkbox mode, but it also includes an extra jack for hookup with an extension pedal speaker. Plugging a speaker cab into this output turns your pedal board into a perfect practice setup with enough volume to seriously crank it. Includes power supply.

Rocktron Banshee Talk Box MP3 Audio Samples:

1. Banshee

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The BBE Sonic Stomp Pedal will make guitarists and bassists rejoice! More fullness, more presence, more clarity, and more control right at your feet. Hardwire bypass, non-slip rubber bottom, easy-access 9V battery compartment, and included external power supply.

The BBE Process “What it Is”

Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.

In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound’s sound”.

When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener’s ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener’s ear ahead of some or all of the harmonic components.

This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called envelope distortion.” The listener perceives this loss of sound integrity in the reproduced sound as muddy” and smeared.” In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.

BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.

The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office.

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